Exposure to Antisemitism and Offensive Humour #becauseoffacebook

I have recently notices an offending remark made by one of my facebook friends (old work acquaintance) as a post comment between him and another non-Jewish friend. The message read 'you crafty Jew'. Knowing that my friend was probably not an Anti-semite, I sent him a private message asking for an explanation, to which my friend replied 'it was a private joke taken out of TV South Park'.

As my friend lives in Glasgow, I told him that I assumed he would not like to go to the pub and take the mickey at his mate's Christian affiliation, certainly not in public. At which point, my friend felt very strongly that his friend would 'understand that it is a joke' and that 'the problem with religion is its inability to laugh at itself'.

This problem links to the never-ending debate concerning 'the fine line between legitimate humour and being offensive'. However, I think that my personal example illustrates a deeper issue with social media and the continuous expansion of popular humour boundaries represented by shows such as Southpark, which by-the-way is legitimate in my opinion.

The problem starts when people such as my ex-facebook friend (he apparently felt very strongly about me trying to restrict his abilities to make jokes) taking humour out of context. While Southpark or any other ground breaking niche and even popular programme use arguably offensive humour to create a satire or make a point (e.g. Borat) my friend had posted a sentence which can only be perceived as a joke by himself and perhaps his friend. This is even before we get into to a debate on whether it is legitimate to copy self-deprecating humour (someone making fun of their own Jewishness or their community e.g. Woody Allen, Philip Roth etc.) if the person making that comment and the person on the receiving end are of a completely different background and therefore ignorant to the full meaning of their slur (i.e. the aren't Jews).

However there is another obvious issue here, namely that people are using facebook posts without realising that their conversation is public. So as you increase the number of people that are exposed to your posts (your facebook friends at the very least) you increase the number of interpretation that such a joke can have.

While my ex-facebook friend intended to copy a joke, and while his friend might have taken it as a joke because they are both Southpark fans, and whilst I assumed that my he was not an Anti-semite because of our acquaintance, his 13 year-old brother or a guy he met in the pub once reading the very same post might had a completely different interpretation. 

From Handsworth through Africa and back to the Middle East

A couple of weeks ago I had the privilege to take part in a media research group meeting at Birmingham City University. Part of the meeting consisted of a presentation by Kieran Connell from Birmingham Uni about his 'micro history' of black Handsworth in the 1980s. The relationship between an imagined notion of Africa and its influence on the young people from Caribbean backgrounds in Handsworth has made me contemplate my own interest in the Jewish diaspora and its relationship with Israeli politics. In particular the idea that diaspora communities relationship with their countries of origin is often based on imagined notions. The Jewish diaspora's attempt to influence Israeli politics and the Arab-Israeli conflict may be based around false notions. This may be due to the complexity and differences in the context of the Jewish society in Israel, in the midst of the Middle East, and the Jewish society in other Western countries. Other than that, Israelis' notion of the Jewish diaspora might be based on similar notion of an imagined Jewish nation. Israelis expectation of complete synergy between the young state and other left leaning European diaspora communities often result in conflicts voiced in the Israeli media and various social networks. What's more interesting is that the perceived notion of each community changes according to its global location i.e. Liberal = Europe & Conservative = US ?  

   
 

Filed under  //   Communities   Diaspora   Israel   Jewish   MIddle East   Media   Politics   Research   Social Media  

The Social Network Rules

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Things are moving too fast. That is my revelation post watching The Social Network. This film is about events taken place in the last 6 years. The protagonists are still in their mid 20's. On the other hand, yes they represent a phenomenon. In the film, Zukerberg rejects his partner's idea to add advertisements to the newly launched facebook, claiming that 'we don't know what it is yet and we need to keep it cool'. That is a valid point. Six years on, the non-intrusive slick advertisements are there, but do we really know what it is yet? or where it will be in ten years time? (see theGlob.com) facebook's growing popularity at the time coincided with the growth of broadband Internet connection use. So successful innovations often link to other innovations. They have to be linked to the spirit of the time (so Kevin Spacey exec producer and Trent Reznor in charge of sound huh?) Coming out of the cinema I thought how great it would be to be an entrepreneur. To come up with a brilliant idea and become a billionaire. But after thinking about it, the moral of the story is you don't necessarily need a good idea. You have to adopt a good idea and run with it. You need a team, vision, cash, and you need clients. Simple? Obvious? oh and you have to have a niche, because of course, even facebook started as a niche service. The Social Network works brilliantly as a story. It's current, familiar, dramatic and funny. I wonder what we will think after revisiting the film in 2020.

Filed under  //   Social Media  

Halftime Branding

In the last couple of days I was thinking about the prospect of interviews at half time during football matches. Everyone who watches NBA Basketball games is used to seeing stars and managers justifying their first half performance while sharing their feelings with a passion still burning from the game. Imagine Jose Mourinho pearls at half time, Imagine Wayne Rooney sharing his emotions with the audience at half time (maybe with a minute delay for strong language editing). Football is a show; it should be fully open to the media.

As audiences, we don’t want to hear the same old boring clichés before the game or after the game. We want to see passion, we want to hear the truth about our team’s performance, and we want them to tell us why we should watch the second half, especially if we are fans and our team is trailing 0-4 at half time. It’s all about accountability and entertainment. Half time interviews would also make it more difficult for managers to play defensively or too tactically for the sake of it because they will more open to scrutiny of commentators, fans, and their own players. 

This is all part of the game’s branding. David Stern, the almighty commissioner of the NBA has realised it 30 years ago, and UEFA/FIFA are slowly trailing behind. Conservatism does not win new audiences, and it will not maintain current rating. Similarly, the objection to goal line technology and other means of assisting referees is ridiculous. In spite of not having data to back me up, I would say 90% of football audience worldwide is disappointed with the brand. Innovation in the form of new technologies, greater openness and access to all aspects and phases of the game is paramount to the future of the sport.     

Caspy_interview

Filed under  //   Branding   Promotion   Sport  

IBC2010

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At the beginning of the week I returned from Amsterdam where I had visited the IBC2010 electronic media exhibition. As a first time visitor I was amazed by the sheer size of the event, and the technologies that were presented were not less impressive.  The exhibition ranges from Production to post production, media delivery to experience, connectivity and more. The one thing that unified most of the area in the exhibition was 3D. It’s officially everywhere. TVs, cameras, and content interaction using a 3D interface (Squeed). In spite of having the chance to film and watch myself on a 3D screen I have to admit that after the 2nd day my eyes couldn’t take it. I think the future of this rediscovered prospect depends on:  A. Not having to use glasses. B. Not having to take aspirin every time you want to watch TV. Other than that it’s all pretty impressive. Although the nicest set for me was a 152 Inch 4K Professional Plasma Display, sharp as can be.

The focus on on-demand user experiences has been coming for a while now with us fragmenting and all, and the additions here were all about pushing TV onto the Internet. Don’t let anyone fool you – it’s all about client IP. Being able to watch a film on TV retrieve information online and recommend on facebook all at the same time (Orca Interactive) is just one example. On the production side, the trend is efficiency. Content management, content workflow is in the centre of the exhibition for the big players to save money. ITV could potentially save by managing their content using advanced software in a way that distributed news and adverts to different local audiences.  To sum up, on the promotional side between the high-tech stands and the freebees, Irdeto’s slogan “What’s your media 3.0 strategy?” seemed to have hit the spot as the company offers a model that allows sharing of new media functions through pay TV. It just shows you can’t yet replace a good copywriter.    

Filed under  //   Media   Social Media   Technology  

Quote of the Day

My quote of the day comes from Eric Pickles, the Comms & Local Government Secretary:

"The new government will protect the rights of law-abiding citizens from Labour's surveillance state, and change the law to end this abuse of state powers by clipboard-wilding bureaucrats"

Is there anybody out there?

Recent Events and Updates

After a while of not posting I felt it was time to share:
 
Last week, when the sun was out, I went to see some folk ensembles at the Cross in Moseley, and indeed I saw about 30-40 people on one small stage playing lovely folk tunes, it was loud! Here's what it looked like:

(download)
 I also went to check Filmrats for the first time. They celebrates their 1st birthday with a lovely night at the Sunflower Lounge with some beautiful cupcakes. I was extremely impressed by a funny short film called Backwards. Other than that good music included The Great Boat Salvage (reminded me of Redbird meets Shearwood), James Rea (pictured- impressively confident and funny) and Tom Peel (which I unfotunatelly missed)
 
 
 One last thing, last bank holiday weekend I was recording a podcast for Unison at Pride Festival. Weather was bad on Saturday which means that the parade wasn't well attended, however sunday was much nicer, we managed to get some good material by the community stage, and it was lovely to be there during the day. There were some lovely acoustic acts which were unfortunately out volumed by annoying trance music coming from a tent nearby. I hope the organisers consider other genres of music for future events as I doubt all people who could attend the event enjoy the stereotypical gay trash.
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Gay Symphony Orchestra - muted by Drum & Bass

 

Music I Have Heard this week #2

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This week I heard a third recital at Birmingham conservatiore. This time by trio Hetti Price (cello) Amy Littlewood (Violin) & David Quigley (Piano). They played John Ireland Piano Trio in E Minor No.3 & Shostakovic Piano Trio in C Minor No.1 - Very emotional. 

Kairos – Piano Trio No. 1 In C Minor, Op. 8

Last weekend I went to see Tantrums and also discovered (Silver) Souvenirs and their snazzy Indo-ternative dancy tunes. I also discovered a whole Indoternative scene, or what felt like one, in any case I wasn't previously aware.... 

Last Piece of news, Turn Off the Sun's new EP Vultures is out, wicked intro to Vultures- exciting playlist for this week!

Filed under  //   Birmingham   Classical   Music  

Live Music I have Experienced this Week #1

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This week has been all about recitals. I've seen two at Birmingham conservatiore -

The second one was a major project by a very talented Cosima Yu on clarinet / basset horn, which is apparently a member of the clarinet family in F. She played Stadler, Mozart (Non Piu di Fiori & Six Notturni).
 
The first, which I can elaborate on,  was a bassoon recital by non-other-than @drbassoon who played Previn & Jacob. Here is a recording + Programme notes:
 
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Andre Previn (born 1929) was born in Berlin before becoming a naturalized citizen of the United States in 1943. He has enjoyed a varied career as a conductor, pianist, and composer. He has also worked in Television with UK viewers remembering him for his famous appearance on Morecambe and Wise as Andrew Preview. His bassoon sonata was first premiered in 1999 in New York with Nancy Goeres on bassoon and Previn himself on piano. It is a three movement sonata with two fast and rhythmically vital outer movements and a slow, lilting middle movement. Previn is heavily influenced by jazz and this is made clear by the driving rhythms and the free almost improvised nature of some of the bassoon passages. In the second movement we also see Previn’s ability to produce something much more delicate and expressive and this provides an excellent contrast to the dense writing in the outer movements. 

Gordan Jacob (1895-1984) was born in London and is especially well regarded for his compositions for woodwind. He published solo and chamber literature at various levels of difficulty for nearly all the wind instruments, many of which are now standard items in the pedagogical and performing repertoires. For the bassoon his concerto and the partita are both common repertoire pieces. The partita consists of five short movements for unaccompanied bassoon, namely; Preludio, Valse, Presto, Aria Antiqua and Capricietto. It was dedicated to William Waterhouse and does much to show the versatility of the bassoon with each movement presenting the instrument in a very different and characterful manner. Near the close of the last movement there is a climax which leads up to a top E, this is a third above the starting note of the famous solo at the opening of the Rite of Spring. This was originally intended to be a top F but was transposed down a semitone before publication. 

Filed under  //   Bassoon   Birmingham   Clarinet   Classical   Music  

Pop Culture is Digitally Annoying

I am wondering whether Nick Clegg shining is a part of the Obama factor, which is also a part of the x factor, whereby the current state of our pop culture constantly pushes us to find our next idol.   

I also noticed lately how I am constantly going into the same 4-5 news websites every few mins in an attempt to find tiny pieces of information. Non of the information is new because I constantly check and reload pages. I know most people only regularly check 4-5 of their favourite website but I am also using RSS reader, twitter and all the rest, but somehow I find the practice of surfing familiar sites to be extremely fulling and yet very annoying and time-consuming at the same time. Just goes to show you how annoying digital habits can be. 

Filed under  //   Culture   Politics